Studio One → Ableton. Drop a Studio One .song song and get a native Ableton Live .als project — the real session rebuilt, not bounced to stems.
Full walkthrough: How to convert your session to another DAW
Every track, clip and note — rebuilt natively in Ableton, not flattened to stems.
Tracks with their names, volume, pan and mute; audio events with their files traveling in the song folder; MIDI notes; the tempo and time-signature maps — every change, even a song with a thousand of them; markers; and sends. Third-party VST and AU plugins arrive as the same plugin with their saved state. Pro EQ becomes Live’s EQ Eight with its settings; Studio One’s other built-in effects and instruments arrive by name only, and the report lists each one. Automation isn’t promised on this pair yet. Nothing is silently dropped — every conversion comes with a report of what changed.
Local conversions stay right in your browser — your session never leaves your computer, nothing uploaded, nothing stored. Uploaded sessions move over an encrypted connection into your own private space, with access only you control, and yours to delete anytime.
Not as a native Ableton project — Doseedo converts it: upload your .song — or zip the whole song folder (the .song with its Media/) so the audio travels with it — and it rebuilds the song as a native Ableton Live .als project you can open and keep working in.
The .song — Studio One (renamed Fender Studio Pro in version 8) saves a song as a .song file in a song folder with its audio in Media/. Zip the whole song folder so the audio travels with it; a bare .song converts the arrangement, MIDI and mixer, but its audio stays behind on your disk.
People describe the same job five ways — export Studio One to Ableton Live, import a .song into Ableton Live, transfer the project, open a Studio One project in Ableton Live — and none of it needs stems. Upload the .song and it converts to a native Ableton Live .als project with tracks, MIDI, audio and the tempo map intact.
Tracks with their names, volume, pan and mute; audio events with their files traveling in the song folder; MIDI notes; the tempo and time-signature maps — every change, even a song with a thousand of them; markers; and sends. Third-party VST and AU plugins arrive as the same plugin with their saved state. Pro EQ becomes Live’s EQ Eight with its settings; Studio One’s other built-in effects and instruments arrive by name only, and the report lists each one. Automation isn’t promised on this pair yet.
Third-party VST and AU plugins arrive as the same plugin with their saved state. Pro EQ becomes Live’s EQ Eight with its settings; Studio One’s other built-in effects and instruments arrive by name only, and the report lists each one. Nothing is faked: whatever doesn’t cross the Studio One–Ableton boundary is named in the conversion report.
Your project is uploaded over an encrypted connection into your own private space, converted, and is yours to delete anytime.
3 conversions a month with no account; a free account gets 120 credits a month and Pro 2,000 (a conversion is 1 credit), every plan at full fidelity. No watermark, cancel in one click. One conversion is one project translated one direction; a round-trip is two.