Written as MIDI. Played as an upright — plucked or bowed.
One upright, two ways to play it. Pizzicato for a walking line, arco for a scored one; both are presets of the same instrument.
The same part plucked, then bowed. Step between them while it plays: the thump and decay of pizz against the slow, grainy onset of the bow.
The part is the melody of After You’ve Gone — 34 notes at 138 bpm, the one the chooser on /sources plays on every instrument. Each take is the double bass’s render as it came back: nothing played, sampled or edited.
One part, 2 articulations — step between them while it plays.
Write the part in the piano roll you already use — Logic Pro, Ableton Live, FL Studio, REAPER, Cubase and Studio One — with dø1 on the track, or upload a .mid at /tools/sources. Notes, timing and velocity are read as written.
What comes back is a double bass take: dry, close-mic, 24-bit / 48 kHz, on the track it came from. Usually 20 to 60 seconds. Render again and you get a different take.
Rendering in the browser is free with an account — 120 credits a month, 10 per 30-second render. The plugin is part of Pro, $12 a month: 2,000 credits, dø1 (AU and VST3) and Dø Desktop, which installs it.
Get the DAW plugin AU & VST3 · installs with Dø Desktop.mid at /tools/sourcesA plucked upright string has a thump at the attack, a round fundamental and a decay that depends on how hard it was pulled. A bowed one has a slow, grainy onset and sustains as long as the bow does. Two sounds from the same wood — which is why they are two presets, not one sample set with two envelopes.
The range runs down to E1, where most of what you hear is the fundamental and its first few partials. The render keeps the thump and the note definition that let a bass line read on small speakers.
Upright. The electric bass is its own instrument, with its own page.
Yes. Write it as MIDI, pick pizzicato, render. Note length is how long each note rings; velocity is how hard it is pulled.
Both. Step between pizzicato and arco while the part plays.