FL Studio project to MP3

Drop an .flp to get an MP3, or select a file. It opens in the studio, ready to export.

FLP · ZIP

How to get an MP3 out of an FL Studio project

Somebody sent you an .flp and you want to hear it, or you made it and need an MP3 on a machine without FL Studio. The file holds no sound of its own: every channel names a plugin or a sample that lives on the computer the project was made on. What it does hold is the music as written: every note, where it falls and how hard. That is what gets played here, and the MP3 is the result.

  1. Drop your .flp: The project is read in your browser. Nothing is uploaded to read it, and no account is needed. If you have the project folder, choose that instead: the samples its audio clips play come with it.
  2. It renders by itself: The studio opens on the arrangement and starts the MP3 straight away. Each track's notes are played by a stand-in picked from the track's name (a kick lane on a drum kit, a bass on a bass), rendered on our server from a General MIDI sound set, usually in seconds.
  3. Download the MP3: One 256 kbps file of the whole arrangement lands in your downloads. Your first three a month need no account; a free account gives you 120. Signed in, Sources can play any track on a modelled instrument instead, and you bounce again.

More ways to work with your music

Try our online tools to separate, transcribe and convert. Doseedo does it all.

Questions about the FL Studio project to MP3 converter?

We have answers.

Can I convert an .flp to MP3 without FL Studio?

Yes, drop it here. What you get is the arrangement played on stand-in instruments, not the record: an .flp holds no audio, only the notes and the names of plugins and samples that live on another computer, so no converter can hand back the exact mix. That one only comes out of FL Studio with its plugins installed.

Is it free? Do I need an account?

Your first three MP3s a month need no account. A free account raises that to 120 a month. The .flp is read in your browser and the render runs on our server, so there is nothing to install either way.

Will it sound like the original?

No. The generators and samples the project names are not in the file, and nothing here loads a plugin for you. The notes, their timing and the tempo survive the trip; the sound is a stand-in. Add the project folder and its audio clips are the real recordings.

My project is mostly samples. Will that work?

With the folder, yes: choose the project folder, or a zip of it, and every audio clip plays from your copy. FL Studio's File → Export → Project data files makes that zip for you. With the .flp alone, clips that point at samples have nothing to play, and the studio tells you how many are missing.

How long can the project be?

Up to 20 minutes and 40,000 notes, longer than almost any song.

How do I export an MP3 from FL Studio itself?

File → Export → MP3 file…, choose where it goes, set the bitrate in the render window and press Start. That renders with the project's own plugins and samples, so it only sounds right on a machine that has all of them. Everywhere else, a stand-in is the honest option.

Try our free FL Studio project to MP3 converter

  • Every sound in an .flp belongs to something else

    An .flp names its sounds; it does not contain them. What a channel stores is a generator's identity and its knob settings: a few kilobytes of state meant for a program somewhere else on the disk. FL's own File → Export is bound by the same fact, which is why it renders the record only on the machine that has FL and everything the project reached for; anywhere else those channels come out as silence. A converter has it worse still: there is no signal in the file to transcode, no mixdown hiding in a header, no cached bounce to lift out. What the file does hold, in full, is the composition: every note, where it falls and how hard.

  • Stand-in instruments, and when to want more

    Each track is played by the instrument the studio already plays it with: a General MIDI program chosen from the track's name, so "808" and "Sub Bass" get a synth bass, "Rhodes" an electric piano, and "Kick", "Snare" and "Hat" a drum kit. What you hear in the studio is what lands in the file. That makes the MP3 a demo of the writing, not a copy of the record. The arrangement, the note lengths and the tempo are the project's, the sound is a stand-in. Signed in, Sources re-plays any track on a modelled instrument, rendered on a GPU, which sounds played rather than triggered. Neither is the mix the .flp makes in FL Studio. That one only comes out of FL Studio, with its plugins installed.

  • Audio clips, and the folder that carries them

    An .flp built from recordings (vocal takes, chopped loops, one-shots dragged onto the playlist) points at those files by path, and a path only resolves on the machine that made it. Drop the .flp alone and those clips have nothing to play; the studio says how many are missing rather than handing you a silent file. Choose the project folder instead, or drop a zip of it, and the clips play from the copies on your disk, at their positions and under their track names, mixed with the notes the stand-ins play. FL Studio's File → Export → Project data files collects everything a project uses into one zip for exactly this.

  • One bitrate, and one thing to keep straight

    256 kbps is the only bitrate on offer here: no slider, no quality menu, nothing to get wrong. A four-minute track lands close to 8 MB: one stereo file that plays on a phone, in a car, in a message, on a submission form. Bit depth does not enter into it: depth belongs to PCM and an MP3 has none to set. The thing to keep straight is generation loss. Re-import an MP3 bounce, export again, and a signal that has already been encoded is encoded a second time; the second pass starts from what the first threw away. Bounce WAV to keep working, MP3 to send.

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