Woodwind · Source 11

Saxophone.

Written as MIDI. Played as a sax — soprano to baritone.

One saxophone, four chairs. Soprano, alto, tenor and baritone are presets of it, not separate instruments. Write the part, pick the chair, render.

Play it in the browser or on a track in your DAW · dø1, $12 a month with Pro
§ 01 · Hear it

Hear it.

The same 34 notes on three chairs. Step through them while it plays: the line stays, the register and the bite move with the horn.

The part is the melody of After You’ve Gone — 34 notes at 138 bpm, the one the chooser on /sources plays on every instrument. Each take is the saxophone’s render as it came back: nothing played, sampled or edited.

11SxSaxophoneD♭3–A♭5
1 of 3 · Saxophone
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One part, 3 chairs — step between them while it plays.

§ 02 · In your DAW

MIDI in. Audio out.

Write the part in the piano roll you already use — Logic Pro, Ableton Live, FL Studio, REAPER, Cubase and Studio One — with dø1 on the track, or upload a .mid at /tools/sources. Notes, timing and velocity are read as written.

What comes back is a saxophone take: dry, close-mic, 24-bit / 48 kHz, on the track it came from. Usually 20 to 60 seconds. Render again and you get a different take.

Rendering in the browser is free with an account — 120 credits a month, 10 per 30-second render. The plugin is part of Pro, $12 a month: 2,000 credits, dø1 (AU and VST3) and Dø Desktop, which installs it.

Get the DAW plugin AU & VST3 · installs with Dø Desktop
11SxSaxophoneD♭3–A♭5
Woodwind · Saxophone
In
MIDI — the piano roll on a dø1 track, or a .mid at /tools/sources
Out
A saxophone take · dry, close-mic · 24-bit / 48 kHz
Range
Saxophone D♭3–A♭5 · Soprano sax A♭3–E6 · Baritone sax D♭2–A4
Presets
Soprano · Alto · Tenor · Baritone
Time
20 to 60 seconds a render
Price
$12 a month with Pro · free in the browser with an account

Four chairs, one page.

The chairs share a reed and a conical bore; what changes is the size of the horn and where a written line lands in its voice. Soprano sits an octave above tenor, baritone an octave below alto. The same MIDI rendered on each comes back in a different part of the instrument.

Almost everything expressive about a sax happens in the mouth: the pitch bends into a note, the tone goes from subtone to bark across a crescendo. Dynamic layers cannot follow that. Here a crescendo written in velocity changes the tone continuously, and a scoop into a long note is a scoop.

Questions.

Which saxophone is this?

All four. Pick the chair when you render. The chair labelled "Saxophone" in the player is the default.

Can I write a sax section?

Yes. Render each chair as its own part and mix the stems. The Sing, Sing, Sing demo on /sources is five rendered saxes summed.

Does it follow articulation?

Note length and velocity carry it. Short, hard notes come back tongued and bright; long, soft ones subtone.

More sources.

Woodwind

Also

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