Studio One → Pro Tools. Drop a Studio One .song song and get a native Pro Tools .ptx session — the real session rebuilt, not bounced to stems.
Full walkthrough: How to convert your session to another DAW
Every track, clip and note — rebuilt natively in Pro Tools, not flattened to stems.
Tracks with their names, volume, pan and mute; audio events with their files traveling in the song folder; MIDI notes; the tempo and time-signature maps — every change, even a song with a thousand of them; markers; and sends. Third-party effects arrive as the same plugin with their saved settings when the plugin is installed on the Pro Tools machine. Studio One’s built-in effects and instruments arrive by name only, and the report lists each one. Automation isn’t promised on this pair yet. Nothing is silently dropped — every conversion comes with a report of what changed.
Local conversions stay right in your browser — your session never leaves your computer, nothing uploaded, nothing stored. Uploaded sessions move over an encrypted connection into your own private space, with access only you control, and yours to delete anytime.
Not as a native Pro Tools project — Doseedo converts it: upload your .song — or zip the whole song folder (the .song with its Media/) so the audio travels with it — and it rebuilds the song as a native Pro Tools .ptx project you can open and keep working in. The download is the whole Pro Tools session folder — the .ptx with its Audio Files/ — zipped, so it opens with the audio in place.
The .song — Studio One (renamed Fender Studio Pro in version 8) saves a song as a .song file in a song folder with its audio in Media/. Zip the whole song folder so the audio travels with it; a bare .song converts the arrangement, MIDI and mixer, but its audio stays behind on your disk.
People describe the same job five ways — export Studio One to Pro Tools, import a .song into Pro Tools, transfer the project, open a Studio One project in Pro Tools — and none of it needs stems. Upload the .song and it converts to a native Pro Tools .ptx session with tracks, MIDI, audio and the tempo map intact.
Tracks with their names, volume, pan and mute; audio events with their files traveling in the song folder; MIDI notes; the tempo and time-signature maps — every change, even a song with a thousand of them; markers; and sends. Third-party effects arrive as the same plugin with their saved settings when the plugin is installed on the Pro Tools machine. Studio One’s built-in effects and instruments arrive by name only, and the report lists each one. Automation isn’t promised on this pair yet.
Third-party effects arrive as the same plugin with their saved settings when the plugin is installed on the Pro Tools machine. Studio One’s built-in effects and instruments arrive by name only, and the report lists each one. Nothing is faked: whatever doesn’t cross the Studio One–Pro Tools boundary is named in the conversion report.
Your project is uploaded over an encrypted connection into your own private space, converted, and is yours to delete anytime.
3 conversions a month with no account; a free account gets 120 credits a month and Pro 2,000 (a conversion is 1 credit), every plan at full fidelity. No watermark, cancel in one click. One conversion is one project translated one direction; a round-trip is two.