Ableton → Nuendo. Drop an Ableton Live .als project and get a .dawproject Nuendo imports: the real session rebuilt, not bounced to stems.
Full walkthrough: How to convert your session to another DAW
Every track, clip and note, written into a .dawproject Nuendo imports, not flattened to stems.
Tracks with their names, colours, volume, pan, mute and solo; groups as bus tracks; return tracks as FX channels fed by every send; the tempo and time-signature maps; markers; MIDI clips with every note; audio clips with their files inside the .dawproject. VST3, VST2 and AU plugins go into the file with their saved state, and Live’s EQ Eight, Compressor, Gate and Limiter become the format’s built-in equivalents with their settings; anything else is named in the report. Automation isn’t promised on this pair yet; the report lists what came across. Nothing is silently dropped: every conversion comes with a report of what changed.
Local conversions stay right in your browser: your session never leaves your computer, nothing uploaded, nothing stored. Uploaded sessions move over an encrypted connection into your own private space, with access only you control, and yours to delete anytime.
Not as a native Nuendo project. Doseedo converts it: upload your .als, or zip the whole project folder (.als + Samples/) so the audio travels with it, and it writes a .dawproject (the open DAWproject format Nuendo imports) with the tracks, MIDI, audio and tempo map in place.
Nuendo’s own .npr format isn’t publicly documented, and a file we can’t be sure opens would only look like a conversion. DAWproject is the open project format Bitwig and PreSonus created together; Nuendo imports it through its DAWproject import. The download is that one file, with the audio inside it.
People describe the same job five ways (export Ableton Live to Nuendo, import an .als into Nuendo, transfer the project, open an Ableton Live project in Nuendo), and none of it needs stems. Upload the .als and it converts to a .dawproject Nuendo imports with tracks, MIDI, audio and the tempo map intact.
Tracks with their names, colours, volume, pan, mute and solo; groups as bus tracks; return tracks as FX channels fed by every send; the tempo and time-signature maps; markers; MIDI clips with every note; audio clips with their files inside the .dawproject. VST3, VST2 and AU plugins go into the file with their saved state, and Live’s EQ Eight, Compressor, Gate and Limiter become the format’s built-in equivalents with their settings; anything else is named in the report. Automation isn’t promised on this pair yet; the report lists what came across.
VST3, VST2 and AU plugins go into the file with their saved state, and Live’s EQ Eight, Compressor, Gate and Limiter become the format’s built-in equivalents with their settings; anything else is named in the report. Nothing is faked: whatever doesn’t cross the Ableton–Nuendo boundary is named in the conversion report.
Nuendo has no DAW-to-Nuendo importer for another DAW’s own project, but it reads DAWproject, the open format the download is written in. Open the .dawproject from Nuendo’s DAWproject import, and the tracks, MIDI, audio and tempo map come in as a Nuendo project. Cubase reads the same file.
Your project is uploaded over an encrypted connection into your own private space, converted, and is yours to delete anytime.
3 conversions a month with no account; a free account gets 120 credits a month and Pro 2,000 (a conversion is 1 credit), every plan at full fidelity. No watermark, cancel in one click. One conversion is one project translated one direction; a round-trip is two.