O Holy Night
Adolphe Adam (1803–1856) · Cantique de Noël (1847)
Doseedo AI orchestra · PDMX edition · 2:12
Time it to your video
Score Studio opens with O Holy Night loaded. Upload your cut: the composer fits the piece to picture — where it starts, where it lands on a cut, how it ends. Ask, and it re-renders the piece to your exact length. What you render is yours to use.
Time it to your video →Rights and use
Adolphe Adam died in 1856, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under CC0, so the notes carry no conditions either. Open it in Score Studio to time it to your video: the render you make there is yours to use, in an ad too (Terms §6.3).
The facts
- Composer
- Adolphe Adam (1803–1856)
- From
- Cantique de Noël (1847)
- Form
- Sacred & choral
- Period
- Romantic
- Length
- 2:12
- In this recording
- Voice, Acoustic piano, Drum kit
- Also known as
- Minuit, chrétiens · Cantique de Noël
About the piece
Adolphe Adam, the composer of the ballet Giselle, set Placide Cappeau’s poem Minuit, chrétiens in 1847; John Sullivan Dwight’s English version, O Holy Night, followed in 1855.
It rises slowly to one of the great climaxes in the carol book, which gives an edit somewhere to arrive.
Sounds reverent, soaring · Cuts well to emotional builds, homecomings, end-of-year films
FAQ
Is O Holy Night royalty-free?
Adolphe Adam died in 1856, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under CC0, so the notes carry no conditions either.
Can I use O Holy Night in an ad?
Yes. Open it in Score Studio, time it to your video and render it; you own the render you make (Terms §6.3), so it can go in a commercial, a social ad or a film.
How do I fit O Holy Night to my video’s length?
Press “Time it to your video”: Score Studio opens with the piece loaded. Upload your cut and the composer times it to picture — where it starts, where it lands on a cut, how it ends — and can re-render it to fit.
Who plays this recording?
Doseedo’s AI orchestra: every part of the score played by its own instrument model, then mixed. It is a rendering of the score, not a recording of an orchestra.