Farewell Of Slavianka
Traditional
Doseedo AI orchestra · PDMX edition · 2:24
Time it to your video
Score Studio opens with Farewell Of Slavianka loaded. Upload your cut: the composer fits the piece to picture — where it starts, where it lands on a cut, how it ends. Ask, and it re-renders the piece to your exact length. What you render is yours to use.
Time it to your video →Rights and use
It is a traditional piece, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under CC0, so the notes carry no conditions either. Open it in Score Studio to time it to your video: the render you make there is yours to use, in an ad too (Terms §6.3).
The facts
- Composer
- Traditional
- Form
- Folk & traditional
- Period
- Traditional
- Length
- 2:24
- In this recording
- Piccolo, Flute, Clarinet, Sax, Trumpet, French horn, Trombone, Tuba, Double bass, Concert bass drum, Concert cymbal, Oboe, Bassoon
- Not in this recording
- Euphonium (not yet in Doseedo’s orchestra); Percussion 1 (not played in this recording)
Editions
Every score of Farewell Of Slavianka in the catalogue. Each plays the same piece from a different engraving; the MIDI is the edition itself.
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Farewell Of Slavianka - Score PDMX · CC0 · 2:24MIDI2:24
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Farewell Of Slavianka - Score PDMX · CC0 · 2:39MIDI2:39
FAQ
Is Farewell Of Slavianka royalty-free?
It is a traditional piece, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under CC0, so the notes carry no conditions either.
Can I use Farewell Of Slavianka in an ad?
Yes. Open it in Score Studio, time it to your video and render it; you own the render you make (Terms §6.3), so it can go in a commercial, a social ad or a film.
How do I fit Farewell Of Slavianka to my video’s length?
Press “Time it to your video”: Score Studio opens with the piece loaded. Upload your cut and the composer times it to picture — where it starts, where it lands on a cut, how it ends — and can re-render it to fit.
Who plays this recording?
Doseedo’s AI orchestra: every part of the score played by its own instrument model, then mixed. It is a rendering of the score, not a recording of an orchestra.