§ Explore · Suites & tone poems

Danse Macabre

Camille Saint-Saëns (1835–1921)

6:15

Doseedo AI orchestra · PDMX edition · 6:15

Time it to your video

Score Studio opens with Danse Macabre loaded. Upload your cut: the composer fits the piece to picture — where it starts, where it lands on a cut, how it ends. Ask, and it re-renders the piece to your exact length. What you render is yours to use.

Time it to your video →

Rights and use

Camille Saint-Saëns died in 1921, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under PD Mark, so the notes carry no conditions either. Open it in Score Studio to time it to your video: the render you make there is yours to use, in an ad too (Terms §6.3).

The facts

Composer
Camille Saint-Saëns (1835–1921)
Form
Suites & tone poems
Period
Romantic
Length
6:15
In this recording
Piccolo, Flute, Xylophone, Timpani, Concert bass drum, Concert cymbal, Triangle, Harp, Violin, Oboe, Viola, Cello, Double bass, Clarinet, Bassoon, French horn, Trumpet, Trombone, Tuba
Edition
PDMX · source · PD Mark

FAQ

Is Danse Macabre royalty-free?

Camille Saint-Saëns died in 1921, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under PD Mark, so the notes carry no conditions either.

Can I use Danse Macabre in an ad?

Yes. Open it in Score Studio, time it to your video and render it; you own the render you make (Terms §6.3), so it can go in a commercial, a social ad or a film.

How do I fit Danse Macabre to my video’s length?

Press “Time it to your video”: Score Studio opens with the piece loaded. Upload your cut and the composer times it to picture — where it starts, where it lands on a cut, how it ends — and can re-render it to fit.

Who plays this recording?

Doseedo’s AI orchestra: every part of the score played by its own instrument model, then mixed. It is a rendering of the score, not a recording of an orchestra.

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