§ Explore · Concertos

Concerto in A minor for four harpsichords BWV 1065 - 3. Allegro

Johann Sebastian Bach (1685–1750)

1:33

Doseedo AI orchestra · PDMX edition · 1:33

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Rights and use

Johann Sebastian Bach died in 1750, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under PD Mark, so the notes carry no conditions either. Open it in Score Studio to time it to your video: the render you make there is yours to use, in an ad too (Terms §6.3).

The facts

Composer
Johann Sebastian Bach (1685–1750)
Form
Concertos
Period
Baroque
Length
1:33
In this recording
Violin, Viola, Cello, Double bass
Not in this recording
Harpsichord I (not yet in Doseedo’s orchestra); Harpsichord II (not yet in Doseedo’s orchestra); Harpsichord III (not yet in Doseedo’s orchestra); Harpsichord IV (not yet in Doseedo’s orchestra)
Edition
PDMX · source · PD Mark

FAQ

Is Concerto in A minor for four harpsichords BWV 1065 - 3. Allegro royalty-free?

Johann Sebastian Bach died in 1750, so the composition is in the public domain in the US and in the countries that protect a work for its author’s life plus 70 years. The edition this recording plays (PDMX) is released under PD Mark, so the notes carry no conditions either.

Can I use Concerto in A minor for four harpsichords BWV 1065 - 3. Allegro in an ad?

Yes. Open it in Score Studio, time it to your video and render it; you own the render you make (Terms §6.3), so it can go in a commercial, a social ad or a film.

How do I fit Concerto in A minor for four harpsichords BWV 1065 - 3. Allegro to my video’s length?

Press “Time it to your video”: Score Studio opens with the piece loaded. Upload your cut and the composer times it to picture — where it starts, where it lands on a cut, how it ends — and can re-render it to fit.

Who plays this recording?

Doseedo’s AI orchestra: every part of the score played by its own instrument model, then mixed. It is a rendering of the score, not a recording of an orchestra.

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